Versy up 19:34, 6 mrt 2020 bewark Woolters (Oaverleg \| bydragen) bürokraten, beheyrders 12.742 bewerkingen →‎Metrum: - WIU ← vöärige wysiging		Versy up 21:25, 7 mrt 2020 bewark weaderümmedraien Woolters (Oaverleg \| bydragen) bürokraten, beheyrders 12.742 bewerkingen K →‎Metrum volgende wysiging →
Regel 29: Der sint noch heyl wat andere namen vöär vöte, so as de [[choriambe]], nen metrisken voor van veer lettergreypen, med nen benådrükkeden lettergreyp an et begin en eande med twey unbeklemtounden der tüsken. Dissen kümt uut olde greekske literatuur en latynske dichtkünst. Språken dee vöär de metrik verskil maket in klinkerlängde of tounhöygde in steade van of in anvülling up syllabiske aksenten, so as ottomaansk türksk of [[vedisk]] hebbet vake vergelykbåre koncepten as de jambe en daktyl üm vake vöärkummende kombinatys van lange en körte gelüden an te geaven.<ref>Kiparsky, Paul. Language. "Stress, Syntax, and Meter". September 1975. vol 51, is 3. DOI 10.2307/412889. JSTOR 412889. p 576–616.</ref> Al disse vootsoorten wekket ne ård 'kadans', of se nu up sikselv ståt of in samengang med anderen. De jambe, by vöärbeald, is de meyst natuurlike förm van ritme in et neadersassisk en andere germaanske språken. Et sörget vöär een subtil mär stabil versritme. Döär te kyken når metrum kan et underliggende patroon in een vers düdelik worden. Toch gevt et niks gin informaty oaver variaty in klemtoun, tounhöygde en klinkerlängde. Geleyrden sint der nit uut wo handig et is üm metrum an de hande van 'vöte' te beskryven. Robert Punsky, by vöärbeald, meynt dat, al sint daktylen belangryk sin in klassike versen, de engelske daktylen slim unregelmåtig sint en beater beskreaven köänet worden as ne ofwesseling van jamben en anapesten, dee volgens em beater by de språke past. Wår ritme is vöäle ingewikkelder as metrum en vöäle lüde hebbet al druk eweasd üm systemen uut te denken wårmed dee ingewikkeldheid untleaded worden kan. Scanning meter can often show the basic or fundamental pattern underlying a verse, but does not show the varying degrees of [[stress (linguistics)\|stress]], as well as the differing pitches and [[vowel length\|lengths]] of syllables.<ref>{{Harvnb\|Pinsky\|1998\|pp=11–24}}</ref> There is debate over how useful a multiplicity of different "feet" is in describing meter. For example, [[Robert Pinsky]] has argued that while dactyls are important in classical verse, English dactylic verse uses dactyls very irregularly and can be better described based on patterns of iambs and anapests, feet which he considers natural to the language.<ref>{{Harvnb\|Pinsky\|1998\|p=66}}</ref> Actual rhythm is significantly more complex than the basic scanned meter described above, and many scholars have sought to develop systems that would scan such complexity. [[Vladimir Nabokov]] noted that overlaid on top of the regular pattern of stressed and unstressed syllables in a line of verse was a separate pattern of accents resulting from the natural pitch of the spoken words, and suggested that the term "scud" be used to distinguish an unaccented stress from an accented stress.<ref>{{cite book\|author=Nabokov, Vladimir\|title=Notes on Prosody\|publisher=Bollingen Foundation\|year=1964\|isbn=978-0-691-01760-0\|pages=[https://archive.org/details/notesonprosodyon0000nabo/page/9 9–13]\|url=https://archive.org/details/notesonprosodyon0000nabo/page/9}}</ref>

Verskil tüsken versys van "Dichtkünst"